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When he made The Spiders, Lang had clearly been under the immediate influence of Louis Feuillade’s serials, with their secret criminal organisations and insidious masterminds at the centre of an international web of intrigue.
Mabuse, the Gambler, Lang developed that world into something deeper and richer.
Mabuse became one (or, rather, two) of the most legendary works of the silent era, properly defining Lang’s artistry not only in its moment, but for the next 40 years, as he returned to the film’s evil genius twice more, each at a crucial moment in his career, including his swan song.
Luxembourg writer Norbert Jacques’ novel provided Lang and Von Harbou with a template for a new take on Feuillade’s semi-surreal universe, as Jacques had taken Arthur Conan Doyle’s Professor Moriarty and evolved him from the hero’s sketchy antagonist and mirror into a major protagonist, even antihero, overshadowing the law enforcers who chase him.
Hi H explains: Great Western became Barnhart Brothers & Spindler in 1868.
1944) moved from Woodbridge to Naugatuck to Waterbury and finally in 2009 to New Britain, CT.